Showing posts with label John Barrowman. Show all posts
Showing posts with label John Barrowman. Show all posts

Wednesday, March 10, 2010

From: http://www.bbc.co.uk/music/reviews/mb6m


BBC Review

Finds Barrowman on the sort of form to guarantee a hit.
Adrian Edwards 2010-02-22
John Barrowman’s new album captures him on peak form. His strong vocal technique, intelligent choice of songs, sympathetically arranged, guarantees that this new album is going to be a hit.
The breezy opener When I Get My Name in Lights comes from The Boy from Oz, Australia’s first musical to hit Broadway. It featured a Tony Award-winning performance from actor Hugh Jackman in the role of singer-songwriter Peter Allen, a part that would seem tailor-made for the magnetic Barrowman.
One Night Only offers a showcase for this singer’s enviable ability to sustain a long note, float the voice into falsetto and empathise with the narrative of a song. When the tempo picks up, he’s joined by an all-girl backing group paying homage to the song’s source in Dreamgirls, the film based on the career of The Supremes. Copacabana comes up fresh as daisy through Barrowman’s sassy vocal, with piano and brass breaks emphasising the flashy nightclub setting. Thoughtful love song Unusual Way, from Nine, is marked by loving attention to detail, sustained by a seamless vocal line and an arrangement where one feels singer and orchestra are breathing as one. The warm string chart recalls the glory days of arranger Gordon  Jenkins’ collaborations with Nat King Cole.
Barrowman’s simple treatment of two unsophisticated songs, My Eyes Adored You and Don’t Cry Out Loud, fall easily on the ear, though he can’t rescue The Kid Inside (from the show Is There Life After High School?, which ran for just 14 performances on Broadway back in 1982). Jodie Prenger duets with Barrowman on So Close, a song from the Disney film Enchanted, though without making any lasting impression.
It’s in the very familiar repertoire that Barrowman works wonders. Singer and orchestra relish the second build up of You’ll Never Walk Alone, but the initial presentation of the refrain is simply beautifully sung and the ending shaded off exquisitely, as it’s written in the vocal score of Carousel. I Won’t Send Roses is another touching interpretation, with a well-paced climax and a dream of a long soft note held at the end. Memory sweeps along with marvellous phrasing, an intelligent reading of the words and an arrangement that adds colour to his fresh interpretation.
All through this collection we are aware of singer and arranger-conductor Matt Brind working as a team. They are to be congratulated for their work.
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Thursday, January 7, 2010

New John Barrowman Album Coming 22 Feb

John Barrowman's new CD is coming out 22 February.

Tracklisting:
When I Get My Name In Lights (from The Boy from Oz)
One Night Only (from Dreamgirls)
Copacabana (from Copacabana)
I Won’t Send Roses (from Mack and Mabel)
Memory (from Cats)
The Kid Inside (from Is There Life After High School?)
My Eyes Adored You (from Jersey Boys)
Don't Cry Out Loud (from The Boy From Oz)
So Close (from Enchanted) duet with Jodie Prenger
Unusual Way (from Nine)
You’ll Never Walk Alone (from Carousel)
The Winner Takes It All (from Mamma Mia!)
Oh What A Night (from Jersey Boys)

For all the information you need, please visit:
http://www.johnbarrowman.com/news.shtml#johnbarrowman

Saturday, January 2, 2010

Do You M/M?

Are you one of the many (many, many) readers of m/m romance? Do you swoon to Alex Beecroft's False Colors: An M/M Romance or Erastes' Transgressions: An M/M Romance?

For anyone who might be thinking, "What, M&M's have romance?" and trying to picture the green girl M&M in something slinky.... no.

M/M is short for male/male - as in leave-out-the-annoying-heroine-and-just-give-us-two-hot-men - romance. This genre is extremely popular, especially in ebooks.

I like the historical ones. Now, you might think there wouldn't be much scope for realism in such romances.  And there you would be wrong.

I have been reading Male-Male Intimacy in Early America: Beyond Romantic Friendships and it is fascinating how fluid love could be in early America. Not only was there no word yet for homosexuality, there was no real concept of it as a permanent existence. As this was also before companionate marriage, both men and women got married because it was expected - not only for social but for business and economic reasons. So whom you married often did not coincide with whom you loved. And once in a while someone left us evidence that the person they loved shared their gender. How they then handled this can be very emotional and touching.

We tend to think of maritime settings as being the best venue for historically accurate m/m romance, and indeed, next I am going to be reading the non-fiction An American Seafarer in the Age of Sail: The Erotic Diaries of Philip C. Van Buskirk, 1851-1870. However, there were Virginia planters, mountain men, trappers, farmers, and even urban citizens who experienced the love that dared not speak its name. (BTW, apparently Philadelphia rocked when it came to wild sex during the Federal period.)

Quite a diverse field for authors to mine for story-lines!  I encourage anyone who writes or reads m/m fiction to check out the non-fiction.

And speaking of inspiring tales of m/m non-fiction, I must of course mention I Am What I AmJohn Barrowman's new autobiography.

Yes, I'm a fan-girl. I dare you not to be. :)