Sunday, November 22, 2009

Colonial Coffee House

Guess what the newest exhibit at Colonial Williamsburg is - a coffee house!

From The Washington Post:
"Now [Williamsburg] is home to the modest Charlton's Coffeehouse, built from scratch on historic foundations and billed as the only 18th-century coffeehouse in America."

"At some point in the 1760s a young immigrant named Richard Charlton used the building -- adjacent to the Colonial Capitol -- as a coffeehouse, serving a brew that likely would have tasted burned and bitter to the contemporary palate."

Back in the day, coffee was a man's drink and men hung out at the coffeehouse like it was an intellectual pub. The American Revolution was planned in coffeehouses.

From The Metropolitan Museum of Art:
Colonial coffeehouses, following the London model, became powerful social catalysts, providing an excellent forum for the exchange of ideas and the distribution of news.

And, of course, people drank coffee at home -- along with tea and chocolate. In case you've ever wondered about the difference between a coffee pot, a tea pot, and a chocolate pot:

This is a chocolate pot.

Notice the removable finial - attached to the body of the pot by a chain so it isn't lost.

Chocolate pots have removable finials because the thick colonial cocoa needed to be stirred before it could be poured.

"A molinet, or stirring rod" would be inserted in the hole revealed when the finial taken off.











This is a coffee pot.
Coffee pots are "tall and tapered, with a curved pouring spout and a wooden handle to protect the pourer's hand from the heat-conducting metal."

And this is a tea pot. Tea pots, as the song says, are short and stout.

Tea was also an important beverage in colonial America leading up to the Revolution.

Remember, when the tax on tea was levied without their consent (no representation), outraged colonists reacted with The Boston Tea Party (December 1773).

You don't mess with a person's cuppa. :)

Wednesday, November 18, 2009

RWA Responds to Harlequin Horizons

From http://www.annaguirre.com/archives/2009/11/18/rwa-has-stones/ :

Romance Writers of America was informed of the new venture between Harlequin Enterprises and ASI Solutions to form Harlequin Horizons, a vanity/subsidy press. Many of you have asked the organization to state its position regarding this new development. As a matter of policy, we do not endorse any publisher’s business model. Our mission is the advancement of the professional interests of career-focused romance writers.

One of your member benefits is the annual National Conference. RWA allocates select conference resources to non-subsidy/non-vanity presses that meet the eligibility requirements to obtain those resources. Eligible publishers are provided free meeting space for book signings, are given the opportunity to hold editor appointments, and are allowed to offer spotlights on their programs.

With the launch of Harlequin Horizons, Harlequin Enterprises no longer meets the requirements to be eligible for RWA-provided conference resources. This does not mean that Harlequin Enterprises cannot attend the conference. Like all non-eligible publishers, they are welcome to attend. However, as a non-eligible publisher, they would fund their own conference fees and they would not be provided with conference resources by RWA to publicize or promote the company or its imprints.

Sometimes the wind of change comes swiftly and unexpectedly, leaving an unsettled feeling. RWA takes its role as advocate for its members seriously. The Board is working diligently to address the impact of recent developments on all of RWA’s members.

We invite you to attend the annual conference on July 28 – 31, 2010 in Nashville, TN, as we celebrate 30 years of success with keynote speaker Nora Roberts, special luncheon speaker Jayne Ann Krentz, librarian speaker Sherrilyn Kenyon, and awards ceremony emcee Sabrina Jeffries. Please refer to the RWA Web site for conference registration information in late January 2010.

Looking forward to seeing you at the Gaylord Opryland!

Michelle Monkou
RWA President

New Harlequin On The Horizon

If you follow the writing - especially romance writing - community at all, you will have heard of the new partnership between AuthorSolutions and Harlequin: Harlequin Horizons.

Some people are worried that:

1) This venture will dilute the Harlequin brand. In other words, that a reader will pick up a Horizons book and think that all Harlequin books can be measured by it. Because obviously it will be crap, right?

I would hope that, for the prices they are charging, a Horizons book will not be crap. Although it looks like one might be able to skip the editing and go straight to publishing. In that case, hopefully the customer has already edited and proofed the book beforehand, like with their critique group or something. I'm just saying, just because it's a vanity press doesn't necessarily follow that it produces crap.

But say that some Horizons books are bad - we've all read poorly edited or typo-ridden books from major NY publishers, haven't we? I've noticed a lot more of this in the past few years. Doesn't stop me from reading more books by that publishing house.

2) This allows a writer to bypass the "paying your dues" stage and go directly to the "Harlequin Author" stage. The "I suffered for years to be published so you have to suffer for years too - no shortcuts!" mentality, forgetting that they could have gone the vanity press route themselves if they'd wanted. Not everyone wants to wait, and that's okay. The more choices open to authors, the better it is for authors. All authors.

3) This only helps rich people to be published and will lead to publishing being an elitist industry. Huh? Aside from polo, what is more elite than publishing? They've got their own word, for pete's sake - literati. Historically, being able to read was pretty elite. Not sure this has ever truly changed.

4) This is selling a dream that won't come true. Okay, here I agree. The website prose is a little too too, with phrases like "Dare to Dream" and "Gain Exposure to a Wide Audience" and "Compete in the Marketplace" and "Have you always dreamt about being the center of attention at a book signing event featuring you, the published author?"

Because, lemme tell ya, very very very rarely will you be the center of attention at a book signing event. Mostly you'll be asked where the bathroom is. Or if you work there. Or you'll be politely ignored as customers scoot past with averted eyes. At least, that's what I'm reliably informed. I've never done a solo book signing. (I do the giant Romantic Times one, which is a total hoot and I recommend it big time.)

But I do know that you won't get wide exposure nor be able to compete in the marketplace - at least, not in the way you dream of (unless you have very grounded, realistic dreams) - with such a program for the simple reason that your book will not appear on bookstore shelves.

Now, if you realize that, and you understand this most likely will not lead to quitting your day job, then all is fine.

However, you should also realize that you can do much of this yourself, for little or no cost. Check out Patricia Simpson's very cogent account of her experience. Her article is really the final word on self-publishing. Read it, learn - and be inspired. :)